Elie Zoé - Shifting Forms

Now the masculine must be used when talking about Elie Zoé, ex Emilie Zoé. In retrospect, his "Hello Future Me" from 2022 now takes on a whole new meaning.

So with just a slightly deeper range, we stay almost in familiar territory and the whole thing works very well.
In fact, from the beginning of "The Whole of the Moon" (smell of "Tiger Song", his former little hit) I knew. I knew that the style was still there, sometimes jerky sometimes tenuous, overall rock. I knew that the album would probably be as good. It is.
And at the end of the day, my heart is going to explode with all these good verses and all these good choruses and all these good riffs.

Articulating carefully, which facilitates understanding while strengthening contact with the listener, the artist thinks as much about himself as about the future of the human race, in connection with trees and animals ("Contact Zone").
The bad point goes to the artwork (photo, booklet), rather banal. I can't help but think that there was probably better to do.

On the purely musical side, I'm not disorientated eventually. I love what this being does – always. Zoé remains Zoé. (Initially, if I remember correctly, it is not the last name but the middle name.) And now the masculine must be used when talking about him. So what?